Categories: ArtEvents/What's HappeningFestivalsNews

Austin Fashion Show ‘Metanoia’ Highlights Queer Representation and Sustainability

Models gliding down the aisle at the Metanoia fashion show, highlighting creativity and sustainable fashion.

News Summary

The ‘Metanoia’ fashion show in Austin celebrated queer representation and sustainable design on December 7 at the historic Central Presbyterian Church. Organized by Bloodbath Studios, it spotlighted local designers who showcased innovative collections crafted from eco-friendly materials. Attendees experienced a vibrant presentation that merged artistry with social consciousness, highlighting the fashion industry’s potential for positive change. The event served as a movement towards inclusivity and environmental responsibility, inspiring both creators and spectators alike.

Austin Fashion Show ‘Metanoia’ Takes Queer Representation and Sustainable Design to New Heights

On December 7, the vibrant city of Austin transformed into a runway as the avant-garde fashion show ‘Metanoia’ lit up the historic Central Presbyterian Church. This uniquely styled event showcased the creativity and passion of local designers while championing themes of rebirth through sustainable fashion. It’s safe to say that attendees got an eye-full – and a heart-full – of true artistry.

Bloodbath Studios: The Creative Force Behind ‘Metanoia’

‘Metanoia’ is brought to life by the talented group at Bloodbath Studios, known for their groundbreaking ability to merge fashion with significant social themes. Earlier in 2022, they made headlines by celebrating queer representation and Americana at Willie Nelson’s Luck Ranch. This recent event capitalized on elevating coveted voices and practices within the fashion world.

Designers Making Waves

The presentation at ‘Metanoia’ was a collective effort by resident designers including Danielle Shephard, Benjamin Medina, and Navarr Gonzales. Each designer asserted their vision, capturing attention with garments that were as intricate as they were thought-provoking. Notably, Shepard debuted a collection crafted from 100% natural materials, such as wool, linen, and leather, marking a significant milestone in her design journey.

Exploring New Dimensions in Fashion

Unlike Bloodbath’s previous show, ‘Veneration’, ‘Metanoia’ introduced softer elements. Feathered accents, blurred animal prints, and flowing draping transformed the church aisles into a dreamlike landscape. The mood was ethereal, with models gliding effortlessly down the aisles like mystical beings. One of the standout pieces was Medina’s stunning chained dress that wrapped around models like delicate gossamer fabric — an exploration of the intersection between strength and fragility.

Artistry Beyond Fashion

‘Metanoia’ wasn’t just about the clothing. It also featured contributions from local talents, including conceptual artist Melanie Alva. Eco-friendly brands like Prior Waste and Sommestella lent their creative prowess to ensure that sustainability remained front and center. This emphasis on environmental consciousness was woven seamlessly throughout the event, leaving viewers inspired by the potential for positive change in the fashion industry.

The Heart of Creativity: Inspirations and Themes

Navarr Gonzales’s collection, aptly named ‘Flamer’, took inspiration from diverse forms of the human body and the vibrant queer subcultures that it represents. Here, leather fabric came to life in lush designs meant to challenge societal norms and embrace individuality. Meanwhile, Benjamin Medina’s collection, ‘Placebo’, served as a metaphor for transformation, underscoring the idea that faith in oneself can lead to incredible outcomes.

Danielle Shepard’s collection, titled ‘Dashe’, uniquely tied the notion of personal style to the concept of armor, aiming to create heirloom pieces using superior materials and couture techniques tailored for longevity. This collection captivated audiences, turning heads for its bold statements and intricate craftsmanship.

A New Chapter in Fashion

As the lights dimmed in the Central Presbyterian Church, one thing was clear: ‘Metanoia’ was not just a showcase but a movement towards making fashion a medium for social change and environmental responsibility.